Empowering Women; Co-producing Histories of Women and Energy in the Home.
Lead Research Organisation:
University of Leeds
Department Name: Sch of Fine Art History of Art&Cult Stud
Abstract
This Fellowship explores the benefits of co-producing energy history research with young people in museums. By collaboratively researching the histories of women and energy to co-produce a critical re-interpretation of domestic objects in Leeds Museums and Galleries' collections, we will effectively facilitate a public conversation via an exhibition, podcasts and digital classroom resources, on who has the power to make the decisions that need to be made to create the post-carbon home of the twenty-first century.
I will work with Leeds Museum's established youth collective, the Preservative Party: a diverse group of 14-24 year olds. We will co-produce research founded in the numerous objects in the Leeds collections that represent the histories of energy but are rarely interpreted as such and never from the point of view of women influencing energy decisions. Building on the Preservative Party's work to explore the overlooked histories of museum objects, we will ask why it is important to understand how energy transformations were effected and often led by women in their homes? What can we learn from historic social and gendered drivers for change at a moment when we all need to transition to a post-carbon energy supply? How does co-production empower young people, often our contemporary leaders in climate activism, building new skills that enable them to be more effective environmental activists?
The Fellowship will develop my research leadership in energy history through the co-production of research with young people. The project is founded on 20+ years of working together with Leeds Museums and Galleries to deliver educational engagement activities and teaching. I have led on cultural partnerships in Leeds, particularly during my 10-year tenure as the Deputy and then Head of the School of Fine Art, History of Art and Cultural Studies and successfully delivered the first Memorandum of Understanding between the University and our City museums and galleries. But I have never consolidated my research expertise in histories of the c19th home and my leadership in educational engagement and I have not yet co-produced research with the communities that I most want to learn from and impact - young people living in Leeds.
The Preservative Party and I will co-create an exhibition and educational resources that will be disseminated on MyLearning.org: a digital platform for free National Curriculum Linked learning resources from arts, cultural and heritage organisations. These resources will speak to their current concerns about sustainability and the environment while questioning the history of decision making and the power of social persuasion in energy transitions. Focusing on the question of 'Who had/s the power to make energy decisions?' and reframing the history and historiography of this through women's experiences in the home, we will use cross-disciplinary explorations of the history of energy in a way that engages a diversity of voices in both process and outcomes. By co-creating the educational outcomes, our focus will be on continuing to develop the young people's agency in the way that education in heritage spaces is conceived and delivered in Leeds.
I will share my learning on the benefits/challenges of co-production and its role in energy history research, via the work I do to support and inspire ECRs at the University, my museum collaborations, work on educational policy and my leadership of a national network of teachers, supporting them to support young people to develop the skills, cultural and science capital to increase their agency in energy activism. The Fellowship will create a step-change in my research leadership and will impact nationally and internationally our understanding of the importance of social and cultural history in energy futures and the role of young people, their teachers and our museums in generating environmental change.
I will work with Leeds Museum's established youth collective, the Preservative Party: a diverse group of 14-24 year olds. We will co-produce research founded in the numerous objects in the Leeds collections that represent the histories of energy but are rarely interpreted as such and never from the point of view of women influencing energy decisions. Building on the Preservative Party's work to explore the overlooked histories of museum objects, we will ask why it is important to understand how energy transformations were effected and often led by women in their homes? What can we learn from historic social and gendered drivers for change at a moment when we all need to transition to a post-carbon energy supply? How does co-production empower young people, often our contemporary leaders in climate activism, building new skills that enable them to be more effective environmental activists?
The Fellowship will develop my research leadership in energy history through the co-production of research with young people. The project is founded on 20+ years of working together with Leeds Museums and Galleries to deliver educational engagement activities and teaching. I have led on cultural partnerships in Leeds, particularly during my 10-year tenure as the Deputy and then Head of the School of Fine Art, History of Art and Cultural Studies and successfully delivered the first Memorandum of Understanding between the University and our City museums and galleries. But I have never consolidated my research expertise in histories of the c19th home and my leadership in educational engagement and I have not yet co-produced research with the communities that I most want to learn from and impact - young people living in Leeds.
The Preservative Party and I will co-create an exhibition and educational resources that will be disseminated on MyLearning.org: a digital platform for free National Curriculum Linked learning resources from arts, cultural and heritage organisations. These resources will speak to their current concerns about sustainability and the environment while questioning the history of decision making and the power of social persuasion in energy transitions. Focusing on the question of 'Who had/s the power to make energy decisions?' and reframing the history and historiography of this through women's experiences in the home, we will use cross-disciplinary explorations of the history of energy in a way that engages a diversity of voices in both process and outcomes. By co-creating the educational outcomes, our focus will be on continuing to develop the young people's agency in the way that education in heritage spaces is conceived and delivered in Leeds.
I will share my learning on the benefits/challenges of co-production and its role in energy history research, via the work I do to support and inspire ECRs at the University, my museum collaborations, work on educational policy and my leadership of a national network of teachers, supporting them to support young people to develop the skills, cultural and science capital to increase their agency in energy activism. The Fellowship will create a step-change in my research leadership and will impact nationally and internationally our understanding of the importance of social and cultural history in energy futures and the role of young people, their teachers and our museums in generating environmental change.
Publications
Harrison Moore, A
(2025)
The Power of Participatory Podcasts as Research method
Harrison Moore, A
(2024)
When Engaging Young People in Partcipatory Research, Trust is Key
| Description | Through the production of our podcast, Whose Power?, and our subsequent co-written outputs, plus those in process, and the work on series 2 as a result of a successful second funding application, we have identified that the podcast can be an incredibly useful and effective method for both doing participatory action research with young people from diverse backgrounds and for communicating our collaborative findings and new knowledge. The first 5 episodes of Whose Power? (https://whosepower.podbean.com/) encouraged the young people and their museum facilitators to discuss with the PI how the project had changed the way they thought of themselves as researchers, but also, and vitally, the chance to reflect allowed them to produce new knowledge on what matters when working on participatory projects in museums. We are now using the transcript of the first series to publish our findings in print form, as an effective way of co-writing research with young people, and are working together on a scholarly article on the subject. We are also actively working on series 2 where the young people, having developed skills and confidence through a mentoring process, will lead our discussions on participatory research practice. We have already heard from other museum practitioners, working in community outreach, and other academics, about how this work has influenced their work, and have been invited to give lectures/provide workshops on our work in the UK and in the US (for example at Yale University). And we were commissioned by the Times Higher Campus editors to produce 5 articles on the work in order to influence and inform other academics working in this field. The con-production and iterative consent processes that we use means that the young people have been able to find their voices through this innovative research practice. The Whose Power? podcast is simultaneously a research method, output and process of evaluation. |
| Exploitation Route | https://www.timeshighereducation.com/campus/spotlight/how-engage-public-research https://www.timeshighereducation.com/campus/power-participatory-podcasts-research-method https://www.timeshighereducation.com/campus/when-engaging-young-people-participatory-research-trust-key https://whosepower.podbean.com/ The section above would not allow multiple URLs. The outcomes of this funding will inform the development of future participatory research projects with young people/community groups in museums for the benefits of both museum practitioners and academic research. It will continue to support museum colleagues to find ways to actively engage communities in their collections research; exhibition design; social media activity; policy and practice. |
| Sectors | Communities and Social Services/Policy Creative Economy Education Culture Heritage Museums and Collections |
| URL | https://whosepower.podbean.com/ |
| Description | 2 x Public Exhibitions (Whose Power? Energy Change in the Home, January 25- March 31 2024, Leeds City Museum, https://museumsandgalleries.leeds.gov.uk/events/leeds-city-museum/whose-power-energy-change-in-the-home/ plus Whose Power? Energy Change in the Home; Gas Mark II, Leeds Discovery Centre, February 20th 2025- ongoing). Podcast series 1 https://whosepower.podbean.com/ Set of 5 commissioned articles for the Times Higher that have influenced museum practitioners. Invite to give the John Roles Memorial Lecture, public lecture, October 2025 Changes to the policy and practice of working with young people in Leeds Museums and Galleries and the employment of young mentors. My Learning resource for primary school teachers (in process to publish in Summer 2025) |
| First Year Of Impact | 2024 |
| Sector | Education,Energy,Culture, Heritage, Museums and Collections |
| Impact Types | Cultural Societal Policy & public services |
| Description | AHRC Showcase ( 6 November 2024) Invitation to speak at event that explored impact of AHRC funding in presence of Director of AHRC and poster presentation |
| Geographic Reach | National |
| Policy Influence Type | Contribution to a national consultation/review |
| Description | Research England Policy Support Fund; Policy and Participatory Research Funding |
| Amount | £29,606 (GBP) |
| Organisation | United Kingdom Research and Innovation |
| Department | Research England |
| Sector | Public |
| Country | United Kingdom |
| Start | 09/2024 |
| End | 07/2025 |
| Title | Podcasting as a Participatory Research Method |
| Description | Through the production of series 1 of Whose Power, and now through our work to consciously explore the podcast as a participatory method when working with young people, plus the associated publications that are wither published or in process that explore the knowledge produced via the transcript of the podcast and further funding for series 2, we have proposed and reviewed the podcast as a new participatory research method |
| Type Of Material | Improvements to research infrastructure |
| Year Produced | 2024 |
| Provided To Others? | Yes |
| Impact | We have heard from listeners that the podcast changed their opinion on the value of co-produced and participatory research in museums. We have been successful in obtaining further funding to explore this method further. We have been invited to speak about out learning at conference and in print. We have been commissioned to produced 5 articles for the Times Higher education Campus pages which are aimed at academics and people working in HE. We have contributed to discussions on research funding for and labour in participatory methods. |
| URL | https://whosepower.podbean.com/ |
| Description | Co-Production with Leeds City Museum's Preservative Part as part of research collaboration with Leeds Museums and Galleries |
| Organisation | Leeds Museums and Galleries |
| Country | United Kingdom |
| Sector | Public |
| PI Contribution | The whole point of this Fellowship is to collaborate with my partner organisation, Leeds Museums and Galleries, to co-produce research with a diverse group of 14-24 year olds (The Preservative Party) research leading to new knowledge on participatory action research and its benefits for the partner organisation and for community engagement in the sector more broadly, and to produce a range of outputs (including an exhibition, podcast, school learning resources, co-written articles) that both explore our research methods and our research in partnership. To date, our partnership has produced an exhibition (Whose Power? Energy Change in the Home, January 25- March 31 2024, Leeds City Museum, https://museumsandgalleries.leeds.gov.uk/events/leeds-city-museum/whose-power-energy-change-in-the-home/) and co-produced and collaboratively delivered national conference keynote (Nov 2024, Leeds, https://historiclibrariesforum.com/events/), plus I have spoken about the partnership as part of an invited workshop in Qatar (Dec 2024, Doha, https://cirs.qatar.georgetown.edu/energy/). Our work is changing the way that Leeds Museums and Galleries both do co-produced community work and share the impact and benefits of this. |
| Collaborator Contribution | As this is a Fellowship that is focussed on co-production and participatory action research, the partner organisation, Leeds Museums and Galleries, have contributed from the start, both in terms of crafting the application and writing the partnership letter, and throughout the project delivery. This is a project being delivered wholly in partnership but as an example of their contributions, they have provided weekly access to the youth group, the Preservative Party, given support to training and advising weekly the researcher on safe-guarding and managing GDPR and ethics, provided space and staffing to support the work, managed the sub-contracted finances, provided expert guidance to exhibition curation, design support, and most importantly expert support throughout to help the researcher manage the process of working with a group of neurodivergent, diverse young people with a range of access challenges. While the researcher has worked in partnership with Leeds Museums and Galleries in various forms for over 25 years, this project has enabled a completely new and embedded research partnership, producing new research and outputs, hence listing 2023 as the commencement date for this particular part of our partnership working. |
| Impact | To date: Exhibition (Whose Power? Energy Change in the Home, January 25- March 31 2024, Leeds City Museum, https://museumsandgalleries.leeds.gov.uk/events/leeds-city-museum/whose-power-energy-change-in-the-home/). Co-produced and collaboratively delivered national conference keynote, ''Empowering?? Co-producing Histories of Women and Energy in Archives with Leeds Museums' Preservative Party'', Common ground: Collaborative approaches to unlocking library collections' Historic Libraries Forum (Nov 2024, Leeds, https://historiclibrariesforum.com/events/) Invited Workshop Presentation, ' Everywhere Invisible: Household Energy Use' at 'Global Energy Cultures; How Energy Shapes our Everyday Lives' Georgetown University, Qatar, (Dec 2024, Doha, https://cirs.qatar.georgetown.edu/energy/). |
| Start Year | 2023 |
| Description | Conference Key-Note |
| Form Of Engagement Activity | A talk or presentation |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Professional Practitioners |
| Results and Impact | Co-produced and collaboratively delivered invited national conference keynote with one young member of the youth group that I am working with, and a member of the University Special Collections Team, ''Empowering?? Co-producing Histories of Women and Energy in Archives with Leeds Museums' Preservative Party'', Common ground: Collaborative approaches to unlocking library collections' Historic Libraries Forum (Nov 2024, Leeds, https://historiclibrariesforum.com/events/). The event, which was delivered in a hybrid form both in-person in Leeds and on Zoom nationally, was aimed at sharing good practice in collaborative approaches to using library collections with practitioners from libraries, archives and museums across the UK. The event was live-tweeted and we received positive feedback such as 'Delighted to hear about these lovely little volumes from1878' referencing some of the research materials we spoke about, 'Their exciting collaboration seeks to uncover evidence of the histories of women working through energy change'; 'Grace from the project advocates working with young people on projects because of the insights they can give and the different angles that their input can provide'; 'collaboration can be complex, requiring sensitive handling, but it can be enormously rewarding' |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://historiclibrariesforum.com/events/ |
| Description | Exhibition; Whose Power? Energy Change in the Home |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Public/other audiences |
| Results and Impact | As planned as a key mid-point for the project, we opened our exhibition, Whose Power? Energy Change in the Home on January 25 2024 at Leeds City Museum, https://museumsandgalleries.leeds.gov.uk/events/leeds-city-museum/whose-power-energy-change-in-the-home/). Open until March 31 2024, this co-produced exhibition asks audiences to the Museum to consider who has been invisible in energy histories and why, and why this matters for energy futures. Shaped by questions developed by the group, we have also secured funding and ethics approval to complete in-depth visitor evaluation. |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://museumsandgalleries.leeds.gov.uk/events/leeds-city-museum/whose-power-energy-change-in-the-h... |
| Description | Invited Workshop Presentation, ' Everywhere Invisible: Household Energy Use' at 'Global Energy Cultures; How Energy Shapes our Everyday Lives' Georgetown University, Qatar. |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Professional Practitioners |
| Results and Impact | Invited Workshop Presentation, ' Everywhere Invisible: Household Energy Use' at 'Global Energy Cultures; How Energy Shapes our Everyday Lives' Georgetown University, Qatar, (Dec 2024, Doha, https://cirs.qatar.georgetown.edu/energy/). This was an international event, hosted by Georgetown University and the Qatar Foundation and held at Msheireb Museums, a complex of 4 historic museums. The audience consisted of museum practitioners, engineers, architects, as well as academics and the general public, and I spoke about how co-producing research on energy histories with young people helps us think differently about how we might affect energy futures and builds their ability and power as energy activists. |
| Year(s) Of Engagement Activity | 2023 |
| URL | https://cirs.qatar.georgetown.edu/energy/ |
| Description | Times Higher Education Campus (Resources for Academics and University Staff) 'When engaging young people in participatory research, trust is key' |
| Form Of Engagement Activity | A press release, press conference or response to a media enquiry/interview |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Professional Practitioners |
| Results and Impact | Commissioned article which intends to support other researchers considering participatory research with young people. The co-written article (with a member of the young curators group) uses quotes and themes from our podcasts to ask 'How can we collaborate with young people to co-produce research?' and advises researchers to 'Keep these three things in mind'. https://www.timeshighereducation.com/campus/when-engaging-young-people-participatory-research-trust-key |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://www.timeshighereducation.com/campus/when-engaging-young-people-participatory-research-trust-... |
| Description | Times Higher Education Campus (Resources for Academics and University Staff); 'The power of participatory podcasts as a research method' |
| Form Of Engagement Activity | A press release, press conference or response to a media enquiry/interview |
| Part Of Official Scheme? | No |
| Geographic Reach | National |
| Primary Audience | Professional Practitioners |
| Results and Impact | Commissioned Times Higher Education Article that explores 'The power of participatory podcasts as a research method'. Co-written with a member of the young curators group and using quotes from our podcast we examine how, instead of seeing podcasting as an alternative output, producing a series with a group of youth curators helped us demonstrate how significant it can be for participatory research. https://www.timeshighereducation.com/campus/power-participatory-podcasts-research-method |
| Year(s) Of Engagement Activity | 2025 |
| URL | https://www.timeshighereducation.com/campus/power-participatory-podcasts-research-method |
| Description | Whose Power? A podcast that explores the power of participation and seeks to amplify the voices of young people to create new knowledge and understanding |
| Form Of Engagement Activity | A broadcast e.g. TV/radio/film/podcast (other than news/press) |
| Part Of Official Scheme? | No |
| Geographic Reach | International |
| Primary Audience | Public/other audiences |
| Results and Impact | Whose Power? is a podcast that explores the power of participation and seeks to amplify the voices of young people to create new knowledge and understanding. The podcast is a collaboration between Abigail Harrison Moore from the University of Leeds and The Preservative Party, a group of young curators at Leeds City Museum who empower young people to break down traditional barriers and influence the way museum exhibitions and events are curated and presented. Together they've been exploring how participation can help us better understand power, who has it, and how it's used in different settings. https://whosepower.podbean.com/ |
| Year(s) Of Engagement Activity | 2024 |
| URL | https://whosepower.podbean.com/ |
| Description | Whose Power? Energy Change in the Home; Gas Mark II; Exhibition at the Discovery Centre Leeds |
| Form Of Engagement Activity | Participation in an activity, workshop or similar |
| Part Of Official Scheme? | No |
| Geographic Reach | Regional |
| Primary Audience | Public/other audiences |
| Results and Impact | Whose Power? Gas Mark II is a new iteration of our project exhibition. Launched at the Leeds Discovery Centre on 20 February 2025 and due to continue for at least 6 months, the exhibition has allowed the group to curate objects in cases and produce new interpretations of our research. We are also running tours of the domestic energy objects in the stores. The Discovery Centre is Leeds Museums and Galleries open storage centre and we are the first community project to be able to curate a bespoke exhibition there. We hope to enable the general public to have a greater sense of the domestic energy objects in the collections, that are often 'hidden' from view. |
| Year(s) Of Engagement Activity | 2025 |
| URL | https://museumsandgalleries.leeds.gov.uk/pQQeiJ/leeds-discovery-centre/home |
