Creatureliness and Posthumanism in Pier Paolo Pasolini's Salò and Liliana Cavani's The Night Porter
Attributed to:
Reverberations of War: Communities of experience and identification in Germany and Europe since 1945
funded by
AHRC
Abstract
No abstract provided
Bibliographic Information
Type: Book Chapter
Book Title: Thinking Italian Animals: Human and Posthuman in Modern Italian Literature and Film (2014)