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Rome, the dystopian city: Entropic aesthetics in Fellini's Toby Dammit and Roma and Pasolini's Petrolio (2016)

First Author: Trentin F

Attributed to: Roman Modernities funded by AHRC

Abstract

No abstract provided

Bibliographic Information

Digital Object Identifier: http://dx.doi.org/10.1177/0014585816637070

Publication URI: http://dx.doi.org/10.1177/0014585816637070

Type: Journal Article/Review

Parent Publication: Forum Italicum: A Journal of Italian Studies

Issue: 1