The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669) (2021)

First Author: Van Hensbergen C
Attributed to:  Learning through the Art Gallery: Art, Literature and Disciplinarity funded by AHRC

Abstract

No abstract provided

Bibliographic Information

Digital Object Identifier: http://dx.doi.org/10.5817/ty2021-1-2

Publication URI: http://dx.doi.org/10.5817/ty2021-1-2

Type: Journal Article/Review

Parent Publication: Theatralia

Issue: 1