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'Honor the source': Race, representation and intellectual property in Jelly's Last Jam (2023)

First Author: Magee J

Attributed to: Musical Theatre and All That Jazz Research Network funded by AHRC

Abstract

No abstract provided

Bibliographic Information

Digital Object Identifier: http://dx.doi.org/10.1386/smt_00121_1

Publication URI: http://dx.doi.org/10.1386/smt_00121_1

Type: Journal Article/Review

Parent Publication: Studies in Musical Theatre

Issue: 2